EDUCATION |
BFA, College for Creative Studies, Detroit, MI (1961-1965) |
SOLO EXHIBITIONS |
2024 |
A Long Journey: Paintings from 1989 to 2024, Pamela Salisbury Gallery, Hudson, New York, October 19–November 23, 2024 |
2023 |
Brenda Goodman: Back on Willis Street, Simone DeSousa Gallery, Detroit, MI, April 21–June 10, 2023 |
|
Hop Skip Jump—New Work 2022, Sikkema Jenkins & Co., New York, NY, February 3–March 11, 2023 |
2022 |
Self-Portraits, Sikkema Jenkins & Co., New York, NY, January 11–February 12, 2022 |
2021 |
Travelin’ Down That Painted Road, Pamela Salisbury Gallery, Hudson, NY, July 31–August 29, 2021 |
2020 |
Brenda Goodman: Entwined, Zephyr and Maize (virtual exhibition), August 6–November 19, 2020 |
|
On a New Coast, The Landing Gallery, Los Angeles, CA, January 25–March 14, 2020 |
2019 |
In a Lighter Place, Sikkema Jenkins & Co., New York, NY, January 24–February 23, 2019 |
2017 |
In a New Space, DAVID&SCHWEITZER Contemporary, Brooklyn, NY, September 8–October 1, 2017 |
|
NADA, NY, Jeff Bailey Gallery, Hudson, NY, March 2–5, 2017 |
2016 |
Jeff Bailey Gallery, Hudson, NY, October 29–December 18, 2016 |
2015 |
Brenda Goodman: Selected Work, 1961-2015, Center Galleries, College for Creative Studies, Detroit, MI, November 14–December 19, 2018 |
|
A Life on Paper, Paul Kotula Projects, Ferndale, MI, November 14–December 19, 2015 |
|
Brenda Goodman, Life on Mars Gallery, Brooklyn, NY, March 20–April 19, 2015 |
2014 |
John Davis Gallery, Hudson, NY, July 17–August 10, 2014 |
2012 |
John Davis Gallery, Hudson, NY |
2010 |
Brenda Goodman: Work 1990-2010, John Davis Gallery, Hudson, NY, July 22–August 16, 2010 |
2008 |
John Davis Gallery, Hudson, NY |
|
Paul Kotula Projects, Ferndale, MI, March 1–April 5, 2008 |
2007 |
Brenda Goodman: Self-Portraits 2003-2007, Mabel Smith Douglass Library Galleries, Rutgers University, New Brunswick, NJ, April 23–August 3, 2007 |
2003 |
Littlejohn Contemporary, New York, NY |
2001 |
Revolution, Ferndale, MI |
|
Howard Scott Gallery, New York, NY |
2000 |
Nielsen Gallery, Boston, MA |
|
Revolution, Ferndale, MI |
1999 |
Kouros Gallery, New York, NY |
1998 |
Revolution, Ferndale, MI |
1997 |
Robert Steele Gallery, New York, NY |
1995 |
Revolution, Ferndale, MI |
1994 |
Cavin-Morris Gallery, New York, NY |
|
David Klein Gallery, Birmingham, MI |
1993 |
55 Mercer Street Artists, Inc., New York, NY |
1989 |
Howard Yezerski Gallery, Boston, MA |
1988 |
Hill Gallery, Birmingham, MI |
1987 |
Feigenson Gallery, Detroit, MI |
1985 |
Feigenson Gallery, Detroit, MI |
1984 |
Feigenson Gallery, Detroit, MI |
1983 |
Eason Gallery, Santa Fe, NM |
1982 |
Feigenson Gallery, Detroit, MI |
1981 |
Pam Adler Gallery, New York, NY |
|
Marianne Deson Gallery, Chicago, IL |
1980 |
Feigenson-Rosenstein Gallery, Detroit, MI |
1979 |
Pam Adler Gallery, New York, NY |
1978 |
Feigenson-Rosenstein Gallery, Detroit, MI |
1978 |
Phyllis Kind Gallery, Chicago, IL |
1976 |
Willis Gallery, Detroit, MI |
1974 |
Gertrude Kasle Gallery, Detroit, MI |
1973 |
Willis Gallery, Detroit, MI |
TWO-PERSON EXHIBITIONS |
2018 |
Two-Person Exhibition with Amy Pleasant, NADA, NY, Jeff Bailey Gallery, Hudson, NY, March 8–11, 2018 |
2016 |
Trembling Halves, Tiger Strikes Asteroid, Philadelphia, PA, February 5–28, 2016, curated by Lauren Britton and Zachery Keeting |
1991 |
Brenda Goodman & Jackie Brookner, Pamela Auchincloss Gallery, New York, NY |
1982 |
Brenda Goodman & Morris Brose, Sarkis Galleries, College for Creative Studies, Detroit, MI |
1976 |
Brenda Goodman & Bobbie Oliver, Art Gallery of Windsor, Windsor, ON, Canada |
GROUP EXHIBITIONS |
2024 |
How We Make the Planet Move: The Detroit Collection Part I, Cranbrook Art Museum, Bloomfield Hills, MI, October 26, 2024–March 2, 2025 |
|
Understory: Snakes, Snails, and the Forest Floor, Pamela Salisbury Gallery, Hudson, NY, August 31–October 5, 2024 |
|
Promised Gifts from the John Davis Collection, UK Art Museum, Lexington, KY, August 20, 2024–January 18, 2025 |
|
All Tomorrow’s Parties, Art Cake, Brooklyn, NY, June 14–July 7, 2024 |
2023 |
Fiery Fodder, BUSHEL, Delhi, NY, November 25, 2023–January 14, 2024 |
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Can You See Me Now? Painting the Aging Body, Ryan Lee Gallery, New York, NY, September 14–October 21, 2023 |
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SELF: Portraits + Places, Woodstock Byrdcliffe Guild, Woodstock, NY, June 24–August 6, 2023, curated by Melinda Stickney-Gibson |
|
Come A Little Closer, DC Moore Gallery, New York, NY, January 12–February 11, 2023 |
2022 |
In The Bleak Midwinter, Swivel Gallery, Saugerties, NY, December 17, 2022–January 27, 2023 |
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Still Life and the Poetry of Place, Pamela Salisbury Gallery, Hudson, NY, September 3–October 16, 2022 |
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Artists on the Bowery Part 3, Westwood Gallery, New York, NY, June 25–August 27, 2022 |
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Mighty Real/Queer Detroit: Poets/Mystics/and Gods, Detroit Artists Market, Detroit, MI, June 3–30, 2022 |
|
Feminism and the Legacy of Surrealism, Thomas Erben Gallery, New York, NY, January 13–February 19, 2022 |
2021 |
On the Bowery, Zürcher Gallery, New York, NY, November 13–December 23, 2021 |
|
Landscape & Memory, Pamela Salisbury Gallery, Hudson, NY, October 9–November 7, 2021 |
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Here, There And Everywhere: Women’s Imagination Post COVID Lockdown, Foley Gallery, New York, NY, October 1–17, 2021 |
|
Once in a Lifetime, M.David & Co., Brooklyn, NY, September 11–October 3, 2021 |
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I Dream in Black and White, Olympia, New York, NY, August 14–September 18, 2021 |
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Brenda Goodman, Arturo Herrera, & Cameron Martin, Sikkema Jenkins & Co., New York, NY, June 22–July 30, 2021 |
|
Kickass Painters, Anat Ebgi, Los Angeles, CA, June 5–July 17, 2021 |
2019 |
Landlord Colors: On Art, Economy, and Materiality, Cranbrook Museum of Art, Bloomfield Hills, MI, June 22–October 6, 2019 |
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Yellow, September Gallery, Hudson, NY, June 22–August 4, 2019 |
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Shapeshifter: Works on Paper, Gregory Lind Gallery, San Francisco, CA, March 1–31, 2019 |
2018 |
Highlight: Chelsea, Hollis Taggart Gallery, New York, NY, October 6–27, 2018 |
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Chain Chain Chain, Jeff Bailey Gallery, Hudson, NY, September 15–October 28, 2018 |
|
CASS CORRIDOR, CONNECTING TIMES: Brenda Goodman, Kathryn Brackett Luchs, Ann Mikolowski, Nancy Mitchnick, Ellen Phelan, and Nancy Pletos, Simone DeSousa Gallery, Detroit, MI, September 7–October 17, 2018 |
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Materializations, The Landing, Los Angeles, CA, July 14–September 1, 2018 |
|
3: Brenda Goodman, Christina Tenaglia, Marie Vickerilla, Cross Contemporary Art, Saugerties, NY, July 6–29, 2018 |
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Aporia, DAVID&SCHWEITZER Contemporary, Brooklyn, NY, March 2–28, 2018 |
2017 |
HYGGE: Small Art Holiday Show, Cross Contemporary Gallery, Saugerties, NY, December 2, 2017–January 16, 2018 |
|
A Painting Show, End of Year Group Exhibition, Simone deSousa Gallery, Detroit, MI, December 2–23, 2017 |
|
Selections: NYC, San Luis Obispo Museum of Art, San Luis Obispo, CA, November 3–December 29, 2017 |
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Life’s Rich Pageant, Jeff Bailey Gallery, Hudson, NY, October 14–November 26, 2017 |
|
The State of New York Painting: Works of Intimate Scale by 26 Colorists, Kingsborough Community College, Brooklyn, NY, March 4–April 5, 2017 |
|
Summer Invitational 2017, DAVID&SCHWEITZER Contemporary, Brooklyn, NY |
|
Straight Outta Bushwick, Eva Chimento Gallery, Los Angeles, CA, January 7–February 2017 |
2016 |
I/WE/THEN/NOW: Brenda Goodman, Jim Chatelain, Peter Williams, Paul Kotula Projects, Ferndale, MI, November 5–December 17, 2016 |
|
#PUSSYPOWER, DAVID&SCHWEITZER Contemporary, Brooklyn, NY, December 21, 2016–January 15, 2017 |
|
An Occasional Dream, Life on Mars Gallery, Brooklyn, NY, June 24–July 31, 2016 |
|
Detroit Abstraction, Janice Church Gallery, West Bloomfield, MI |
|
As Carriers of Flesh: Brenda Goodman, Peter Williams, Arnold Mesches, DAVID&SCHWEITZER Contemporary, Brooklyn, NY, November 18–December 18, 2016 |
|
Making the Future, DAVID&SCHWEITZER Contemporary, Brooklyn, NY, September 30–October 16, 2016 |
|
Art Up, The Old Cantina Building, Andes, NY/td>
|
|
The Itsy Bitsy Biennial, Greenkill Gallery, Kingston, NY, July 16–August 30, 2016 |
|
Karmic: With Glenn Goldberg, Steve DiBenedetto, and Brenda Goodman, Life on Mars Gallery, Brooklyn, NY, March 11–April 10, 2016 |
|
Thunder Umbrella, Silvermine Arts Center, New Canaan, CT, February 28–April 8, 2016 |
|
Hanging Paper, Geoffrey Young Gallery, Great Barrington, MA |
|
Sideshow on Mars: Through the Rabbit Hole, SideShow Gallery, Brooklyn, NY, January 19–April 10, 2016 |
2015 |
Paul Klee, Underdonk, Brooklyn, NY, October 10–November 1, 2015, curated by Ashely Garrett and JJ Manford |
|
The Other Side of Portraiture, Life on Mars Gallery, Brooklyn, NY
|
|
Image is Everything, Geoffrey Young Gallery, Great Barrington, MA, curated by Phil & Sue Knoll
|
|
Painting is Not Doomed to Repeat Itself, Hollis Taggart Gallery, New York, NY, September 24–October 31, 2015, curated by John Yau
|
|
Second Annual Summer Invitational, Life on Mars Gallery, Brooklyn, NY
|
|
June Bugs, Geoffrey Young Gallery, Great Barrington, MA
|
|
The American Academy of Arts and Letters 2015 Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, New York, NY, May 21–June 14, 2015
|
|
The American Academy of Arts and Letters 2015 Invitational Exhibition of Visual Artists, New York, NY, March 12–April 12, 2015
|
2014 |
Never Mind the Bollocks Here’s the Life on Mars Summer Invitational, Life on Mars Gallery, Brooklyn, NY, June 27–August 10, 2014 |
|
Another Look at Detroit, Marlborough Chelsea/Marianne Boesky Gallery, New York, NY, June 26–August 8, 2014 |
|
Heads: A Retelling, Salena Gallery, Long Island University, Brooklyn, NY, April 1–25, 2014 |
2013 |
Subverting Modernism: Cass Corridor Revisited, 1966-1980, University Art Gallery, Central Michigan University, Mt. Pleasant, MI; University Gallery, Eastern Michigan University, Ypsilanti, MI (curated by Julia R. Myers), January 10–February 9, 2013 |
2012 |
TIME, Paul Kotula Projects, Ferndale, MI |
2011 |
Gift of a Lifetime: The James Pearson Duffy Collection, The Detroit Institute of Arts, Detroit, MI, Sept. 14, 2011–March 18, 2012 |
|
Refocussing the Spotlight: 21 American Painters, curated by Michael Walls, Nina Freudenheim, Inc., Buffalo, NY, 2011 |
|
Eccentric Portraits, curated by Nancy Azara and Sylvia Leonard Wolf, Byrdcliffe Kleinert/James Center for the Arts, Woodstock, NY, 2011 |
|
Dialogues, Kingston Gallery, Boston, MA, 2011 |
2010 |
headJAM, a portrait show, artSTRAND, Provincetown, MA |
|
Dialogues, Kouros Gallery, New York, NY, July 7–30, 2010 |
|
The Facebook Show, Museum of New Art, Pontiac, MI |
|
PLACE, a landscape show, artSTRAND, Provincetown, MA |
|
Exit Detroit, Ladybug Gallery, Detroit, MI |
2009 |
Time and Place: Art of Detroit's Cass Corridor from the Wayne State University Collection, Elaine L. Jacob Gallery, Wayne State University, Detroit, MI, April 24–June 26, 2009 |
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A Dog’s Life, Memphis College of Art, Memphis, TN, March 20–April 10, 2009 |
2007 |
The Face, The Temporary Museum, Brooklyn, NY |
|
Eccentric Bodies, Mason Gross School of the Arts, New Brunswick, NJ, June 14–August 3, 2007 |
2006 |
An Exhibition of Cups, Paul Kotula Projects, Ferndale, MI |
|
CCS at 100: Woodward Lecture Series Alumni, Center Galleries, College for Creative Studies, Detroit, MI
|
2005 |
Bevy, Revolution, Ferndale, MI |
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Cheers, Revolution, Ferndale, MI |
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From the Heart, Nielsen Gallery, Boston, MA |
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The Reinvention of Landscape, Revolution, Ferndale, MI |
2004 |
10, Revolution, Ferndale, MI |
2003 |
Resonance, The Work Space, New York, NY |
2002 |
Portraits: More than Skin and Bones, Nielsen Gallery, Boston, MA |
|
4 NY Painters, Montclair State University, Upper Montclair, NJ |
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All Drawing, Gallery 817, University of the Arts, Philadelphia, PA |
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Painting: A Passionate Response, Sixteen American Artists, The Painting Center, New York, NY |
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It Goes Like This: Instruction Drawings from the Gilbert & Lila Silverman Collection, Center Galleries, College for Creative Studies, Detroit, MI |
2001 |
In the Spirit of Landscape VI, Nielsen Gallery, Boston, MA |
|
Paper, Nielsen Gallery, Boston, MA |
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Achromatic, Revolution, Ferndale, MI |
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Go Figure, Sisson Art Gallery, Henry Ford Community College, Dearborn, MI
|
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Painting Abstraction II, New York Studio School, New York, NY
|
2000 |
Alumnae--The Women of CCS, Center Galleries, College for Creative Studies, Detroit, MI
|
|
In the Spirit of Landscape V, Nielsen Gallery, Boston, MA
|
|
Small Work, Nielsen Gallery, Boston, MA
|
|
New Work, Nielsen Gallery, Boston, MA
|
|
Go Figure: The Other Side of Modernism, Newhouse Center for Contemporary Art, Staten Island, NY, curated by Lilly Wei
|
1999 |
In the Spirit of Landscape IV, Nielsen Gallery, Boston, MA
|
|
Architecturally Abstract, Revolution/NY, New York, NY
|
|
Unusual Suspects, Brenda Taylor Gallery, New York, NY
|
|
Visualizing Selves: New Visual Autobiographies, Saddleback College Art Gallery, Mission Viejo, CA
|
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Looking Back/Looking Ahead, Kouros Gallery, New York, NY
|
1998 |
Hot, Revolution, Ferndale, MI |
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Object of Desire, Brenda Taylor Gallery, New York, NY |
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Seven Artists, Robert Steele Gallery, New York, NY (curated by Michael Walls) |
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Masters of the Masters: MFA Faculty of the School of Visual Arts, New York, 1983-1998, Butler Institute of American Art, Youngstown, OH, April 5 – May 17, 1998 |
|
Five Artists in New York, Robert Steele Gallery, New York, NY, curated by Michael Walls |
1997 |
A Summer Mix [Artists We Like], Robert Steele Gallery, New York, NY
|
|
Goddesses, Center Galleries, College for Creative Studies, Detroit, MI
|
|
The Figure Revisited, The Gallery at Hastings-on-Hudson, Hastings, NY
|
|
Intimate Universe [Revisited], Robert Steele Gallery, New York, NY, 1997, curated by Michael Walls; travelled to: James Howe Gallery, Kean University, Union, NJ |
1996 |
Essence: Twenty Abstract Painters, Radix Gallery, New York, NY/td>
|
|
Lineation, Revolution, Ferndale, MI |
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(Ap)praising Abstraction, Art Initiatives, New York, NY |
1995 |
The Small Painting, O’Hara Gallery, New York, NY, curated by Michael Walls, December 14, 1995 – January 27, 1996
|
1995 |
A Romantic Impulse: Seventeen American Artists, O’Hara Gallery, New York, curated by Michael Walls, September 15 – October 21, 1995
|
1995 |
Inside Out: Psychological Self-Portraiture, Aldrich Museum of Contemporary Art, Ridgefield, CT, May 20 – September 17, 1995
|
|
Brenda Goodman, Tony Candido, Younghee Choi Martin, The Painting Center, New York, NY
|
|
Pure, Cavin-Morris Gallery, New York, NY
|
1994 |
Fifty Nifty Pictures and Objects, AHI Gallery, New York, NY (curated by Michael Walls)
|
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Abstract Expressionism: An Ongoing Legacy, The Gallery at Kohn Pedersen Fox, New York, NY; traveled to: The Gallery at Hastings-on-Hudson, Hastings, NY
|
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Grouped Show, Cavin-Morris Gallery, New York, NY
|
|
Figure This, The St. Paul Companies, Minneapolis, MN
|
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Isn’t It Romantic? On Crosby Street, New York, NY (curated by Michael Walls)
|
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Paintings: Goodman, Gaon, Marini, Elizabeth Harris Gallery, New York, NY
|
1993 |
Signs of Life, O.I.A. Police Building, New York, NY
|
1992 |
Six Painters, Littlejohn/Sternau Gallery, New York, NY
|
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Beneath the Surface, Tribeca 148 Gallery, New York, NY
|
|
Distant Visions: Contemporary Landscape Painting – Works by Brenda Goodman, Nancy Brett, & Ellen Phelan, Janice Charach Epstein Museum/Gallery, West Bloomfield, MI
|
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Inaugural Exhibition, Littlejohn/Sternau Gallery, New York, NY
|
1991 |
The Art of Collecting: The Jewish Collector's Experience, Janice Charach Epstein Museum/Gallery, West Bloomfield, MI
|
|
Goodman, Huddleston, Rawls & Wixted, David Beitzel Gallery, New York, NY
|
|
Paper Trail, Stephen Rosenberg Gallery, New York, NY
|
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Black & White, Nina Freudenheim Gallery, Buffalo, NY
|
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The Expressive Moment, Sharadin Art Gallery, Kutztown University, Kutztown, PA
|
1990 |
Inner Natures: Four Contemporary Painters, Santa Barbara Museum of Art, curated by Nancy Doll, Santa Barbara, CA
|
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Surface and Light: Four Invited Women Painters, Stephen Rosenberg Gallery, New York, NY
|
1989 |
Summer Group Show, Dart Gallery, Chicago, IL
|
|
Brenda Goodman, Susan Chrysler-White, Suzanne Slavick, Anda Dubinski, Janet Fleisher Gallery, Philadelphia, PA
|
|
Summer Show, Hill Gallery, Birmingham, MI
|
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Group Exhibition, Hill Gallery, Birmingham, MI
|
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Brenda Goodman, Jay Whodey, Ika Huber, Hill Gallery, Birmingham, MI
|
1988 |
Brenda Goodman: An Introduction, Hill Gallery, Birmingham, MI
|
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22, Opening Group Exhibition, Howard Yezerski Gallery, Boston, MA
|
|
Discoveries, Nancy Lurie Gallery, Chicago, IL
|
1987 |
Looking at New Work Invitational, Rosa Esman Gallery, New York, NY
|
|
Gallery Artists, Edward Thorp Gallery, New York, NY
|
1986 |
New Works/Gallery Artists, Edward Thorp Gallery, New York, NY
|
|
Group Show/Gallery Artists, Edward Thorp Gallery, New York, NY
|
|
New Paintings, Feigenson Gallery, Detroit, MI
|
|
Detroiters Collect: New Generation, Meadowbrook Art Gallery, Oakland University, Rochester, MI
|
1985 |
Self Portraits by Women Artists, curated by Tressa R. Miller, Security Pacific National Bank, Los Angeles, CA
|
1984 |
Women's Perspectives, Grand Rapids Art Museum, Grand Rapids, MI
|
|
The Elements–Weather in Art, Tweed Gallery, Plainfield, NJ
|
|
Rutgers National 83/84 Works on Paper Exhibition, Stedman Art Gallery, Camden, NJ
|
|
On Paper, Oscarsson Hood Gallery, New York, NY
|
|
Ten Years of Collecting at The Museum of Contemporary Art, Museum of Contemporary Art, Chicago, IL
|
|
The Carson-McHale Gift: 13 Artists Remember Joe McHale, Detroit Institute of Arts, Detroit, MI
|
1983 |
Gallery Selections, Feigenson Gallery, Detroit, MI
|
|
New Epiphanies, traveling exhibition curated by Carol Adney, Gallery of Contemporary Art, University of Colorado, Colorado Springs, CO
|
1982 |
Summer Group Show, Feigenson Gallery, Detroit, MI
|
|
Drawings from the Permanent Collection, Detroit Institute of Arts, Detroit, MI
|
|
Contemporary Art in Detroit Collections, Detroit Institute of Arts, Detroit, MI
|
|
National Women in Art, Edison Community College of Fine Art, Fort Myers, FL
|
|
Currents: A New Mannerism, Jacksonville Art Museum, curated by Margaret A. Miller, University of South Florida, Tampa, FL
|
|
Small Works, Getler /Paul Gallery, New York, NY
|
1981 |
The Gilbert and Lila Silverman Collection, curated by Roy Slade, Cranbrook Academy of Art Museum, Bloomfield Hills, MI
|
|
Kindred Spirits: Works by Joseph Cornell and Others, curated by Katherine Lochridge, Heckshire Museum, Huntington, NY
|
|
Brenda Goodman, Bill Cass, Lise Apatoff, Marianne Deson Gallery, Chicago, IL
|
1980 |
Artists from the Pam Adler Gallery, South Campus Art Gallery of Miami-Dade Community College, Miami, FL
|
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On Paper, Institute of Contemporary Art, Virginia Museum, Richmond, VA
|
|
From Detroit: 1980, Feigenson Gallery, Detroit, MI
|
|
Kick Out the Jams: Detroit's Cass Corridor 1963-1977, curated by Mary Jane Jacob and Jay Belloli, Detroit Institute of Arts, Detroit, MI; traveled to: Museum of Contemporary Art, Chicago, IL
|
|
Work from the Permanent Collection, Museum of Contemporary Art, Chicago, IL
|
|
Interiors, Barbara Gladstone Gallery, New York, NY
|
1979 |
Interiors, Summit Art Gallery, Summit, NJ
|
|
Work on Paper, Pam Adler Gallery, New York, NY
|
|
1979 Biennial of Contemporary Art, Whitney Museum of American Art, New York, NY
|
1978 |
Art on Paper, 14th Weatherspoon Annual Exhibition, Greenboro, NC
|
|
CAPS: Graphic Art Awardees Exhibition, Pratt Graphics Center, New York, NY
|
|
Niagara Graphics Show, Niagara Museum, Niagara, NY
|
|
Detroit and Chicago: Art of the 70's, Detroit Institute of Arts, Detroit, MI
|
|
Group Exhibition, Feigenson-Rosenstein Gallery, Detroit, MI
|
|
Double Take, The New Museum, New York, NY
|
|
Inaugural Exhibition, Pam Adler Gallery, New York, NY
|
1977 |
Art in Public Spaces, Organization of Independent Artists, New York, NY
|
|
Inaugural Exhibition, Feigenson-Rosenstein Gallery, Detroit, MI
|
|
New Abstract Objects, HallWalls, Buffalo, NY
|
|
Memory, curated by Marcia Tucker, The New Museum and C Space, New York, NY
|
1976 |
Arts and Crafts in Detroit/1906-1977: The Movement, The Society, The School, curated by Frederick J. Cummings, Detroit Institute of Arts, Detroit, MI
|
|
A Selection of Drawings, Grand Rapids Art Museum, Grand Rapids, MI
|
|
New Work, Willis Gallery, Detroit, MI
|
|
30th Annual Michigan Watercolor Society Exhibition, Detroit Institute of Arts, Detroit, MI
|
|
Nine Women Artists from the Gertrude Kasle Gallery, Eshleman Library, Henry Ford Community College, Dearborn, MI
|
|
Source Detroit, Cranbrook Academy Art Museum, Bloomfield Hills, MI
|
|
Womanworks, Union Gallery, Ann Arbor, MI
|
|
Paintings and Sculpture by Mid-West Faculty Artists, Krannert Art Museum, University of Illinois, Urbana-Champagne, IL; traveled to: Indiana University Art Museum, Bloomington, IN
|
|
Drawing and Print Show, Willis Gallery, Detroit, MI
|
|
Michigan Collects Michigan Art, Pontiac Creative Arts Center, Pontiac, MI
|
1975 |
Detroit Workshop of Fine Prints, Bicentennial Suite, Detroit, MI
|
|
Ten Years (anniversary show), Gertrude Kasle Gallery, Detroit, MI
|
|
4th Michigan Biennial (invitational), Kresge Art Gallery, Michigan State University, Lansing, MI
|
|
Self Portraits, Detroit Artists Market, Detroit, MI
|
1974 |
Michigan Focus, Detroit Institute of Arts, Detroit, MI
|
|
Detroit Artists Invitational, Detroit Bank and Trust Company, Detroit, MI, (curated by Daniel Moriarty)
|
|
Selections from the Studios at Old Convention Hall, Detroit Artists Market, Detroit, MI
|
|
Anything on Paper, Detroit Artists Market, Detroit, MI
|
|
15th Annual Mid-Michigan Exhibition, Midland, MI
|
|
Michigan Survey Exhibition, Cranbrook Academy of Art Museum, Bloomfield Hills, MI; traveled to: San Diego Museum of Art, San Diego, CA
|
1973 |
Forsythe Saga, Forsythe Building, Detroit, MI
|
|
Detroit Artists Market Group Show, Detroit, MI
|
|
19th Annual Drawing and Small Sculpture Show, Ball State University Art Gallery, Muncie, IN
|
1972 |
59th Exhibition for Michigan Artists, Detroit Institute of Arts, Detroit, MI
|
1972 |
Scarab Club Annual 'All Michigan' Silver Medal Exhibition, Detroit, MI
|
1971 |
All Michigan Exhibition, Flint Institute of Arts, Flint, MI
|
|
Grand Rapids Biennial Michigan Painters-Printmakers Exhibition, Grand Rapids, MI
|
|
Works on Paper: Brenda Goodman, Anne Doering, J.P. Hunt, Willis Gallery, Detroit, MI
|
1966 |
New Faces, Arwin Galleries, Detroit, MI
|
BIBLIOGRAPHY |
2024 |
Yau, John. “Brenda Goodman Paints the Pain of Being Human.” Hyperallergic, 18 Nov. 2024. |
2024 |
Yau, John. “Brenda Goodman’s Unknowable Language of Grief.” Hyperallergic, 13 Aug. 2024. |
2023 |
Fateman, Johanna. “Goings on About Town: Brenda Goodman.” The New Yorker, 28 Feb. 2023. |
|
Shea, Andrew L. “Brenda Goodman: Hop Skip Jump—New Work 2022.” The Brooklyn Rail, 1 Mar. 2023. |
|
Ewing, Margaret. “Brenda Goodman at Sikkema Jenkins & Co.” Artforum, Apr. 2022. |
2022 |
Heinrich, Will. “Feminism and the Legacy of Surrealism.” The New York Times, 4 Feb. 2022. |
|
Sharp, Sarah Rose. “The Cass Corridor Movement’s Salvation Through Salvage.” Hyperallergic, 25 Jan. 2022, hyperallergic.com/704718/the-cass-corridor-movements-salvation-through-salvage. |
|
Yau, John. “Brenda Goodman’s Fearless Self-Portraits.” Hyperallergic, 9 Feb. 2022, hyperallergic.com/709819/brenda-goodmans-fearless-self-portraits. |
2021 |
Yau, John. “Brenda Goodman’s Abstraction and Pain.” Hyperallergic, 14 Aug. 2021, hyperallergic.com/669130/brenda-goodman-abstraction-and-pain. |
2020 |
Haynes, Clarity. “Brenda Goodman.” BOMB Magazine, Summer 2020, p. 46-57. |
|
Pagel, David. “Review: Call it Cave Painting Modern. How Brenda Goodman taps into a primal beauty.” Los Angeles Times, 26 Feb. 2020, latimes.com/entertainment-arts/story/2020-02-26/brenda-goodman-landing-review. |
|
Seed, John. “Brenda Goodman: ‘On a New Coast’ at The Landing, Los Angeles.” 5 Feb. 2020, medium.com/@johnseed/brenda-goodman-on-a-new-coast-at-the-landing-los-angeles-e5d427808f37. |
|
Seed, John. “Brenda Goodman: ‘On a New Coast’ at The Landing, Los Angeles.” 5 Feb. 2020, medium.com/@johnseed/brenda-goodman-on-a-new-coast-at-the-landing-los-angeles-e5d427808f37. |
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Serova, Varia. “In Conversation with Brenda Goodman.” Zephyr and Maize, 6 Aug. 2020, zephyrandmaize.com/post/in-conversation-with-brenda-goodman. |
2019 |
“Brenda Goodman on Her Work in Stages.” Painters on Painting, 23 Jan. 2019, paintersonpaintings.com/brenda-goodman-on-her-work-in-stages. |
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Hooper, Ryan Patrick. “Cranbrook’s sprawling, ambitious ‘Landlord Colors’ exhibit connects Detroit to the world.” Detroit Free Press, 20 Jun. 2019, freep.com/story/entertainment/arts/2019/06/20/cranbrook-landlord-colors-exhibit-detroit-material/1490300001. |
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Johnson, Paddy. “NYC’s Stellar Season of Female Painters Only Underlines the Art Market’s Misogyny.” The Observer, 30 Jan. 2019, observer.com/2019/01/women-painters-dominate-chelsea-nyc-winter-season. |
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Landlord Colors: On Art, Economy, and Materiality. Cranbrook Art Museum, 2019. Print. |
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Samet, Jennifer. “Beer with a Painter: Brenda Goodman.” Hyperallergic, 9 Nov. 2019, hyperallergic.com/527172/beer-with-a-painter-brenda-goodman. |
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Yau, John. “Brenda Goodman Moves into New Territory.” Hyperallergic, 10 Feb. 2019, hyperallergic.com/483228/brenda-goodman-in-a-lighter-place-sikkema-jenkins-and-co. |
2020 |
Haynes, Clarity. “Brenda Goodman.” BOMB Magazine, Summer 2020, p. 46-57. |
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Pagel, David. “Review: Call it Cave Painting Modern. How Brenda Goodman taps into a primal beauty.” Los Angeles Times, 26 Feb. 2020, latimes.com/entertainment-arts/story/2020-02-26/brenda-goodman-landing-review. |
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Seed, John. “Brenda Goodman: ‘On a New Coast’ at The Landing, Los Angeles.” 5 Feb. 2020, medium.com/@johnseed/brenda-goodman-on-a-new-coast-at-the-landing-los-angeles-e5d427808f37. |
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Seed, John. “Brenda Goodman: ‘On a New Coast’ at The Landing, Los Angeles.” 5 Feb. 2020, medium.com/@johnseed/brenda-goodman-on-a-new-coast-at-the-landing-los-angeles-e5d427808f37. |
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Serova, Varia. “In Conversation with Brenda Goodman.” Zephyr and Maize, 6 Aug. 2020, zephyrandmaize.com/post/in-conversation-with-brenda-goodman. |
2018 |
“7 Museum and Gallery Exhibitions We’re Excited About in 2019.” All Arts, WLIW, 31 Dec. 2018, allarts.wliw.org/2018/12/7-museum-and-gallery-exhibitions-were-excited-about-in-2019. |
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Goodman, Johnathan. “3: Brenda Goodman, Christina Tenaglia, and Marie Vickerilla.” The Brooklyn Rail, 11 Jul. 2018, brooklynrail.org/2018/07/artseen/3-Brenda-Goodman-Christina-Tenaglia-and-Marie-Vickerilla. |
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Goodman, Brenda. “Drawing in a Time of Fear and Lies: This Black Cloud Called Trump.” Hyperallergic, 2 Jun. 2018, hyperallergic.com/445177/this-black-cloud-called-trump. |
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Mannisto, Glenn. “Cass Corridor @ Simone deSousa Gallery.” Detroit Art Review, 28 Sept. 2018, detroitartreview.com/2018/09/cass-corridor-simone-desousa-gallery. |
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Orne, Kate. “How to Feel Human: The Paintings of Brenda Goodman.” Upstate Diary, vol. 7, Oct. 2018, p. 10-15. |
2017 |
Butler, Sharon. "Anxiety and the art fairs, NADA edition." Two Coats of Paint, 14 Mar. 2017, twocoatsofpaint.com/2017/03/images-local-favorites-and-other-picks-at-nada.html |
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“The Critic’s Notebook.” The New Criterion, 5 Sept. 2017, newcriterion.com/blogs/dispatch/the-critics-notebook-8926. |
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“Farman, Suzy. "After 25-year rift, sibling artists Brenda and Steven Goodman bury some big hatchets." Read The Spirit, 24 Sept. 2017, readthespirit.com/suzy-farbman/after-25-year-rift-sibling-artists-brenda-and-steven-goodman-bury-some-big-hatchets. |
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Goodman, Brenda. "Watching and Waiting." Hyperallergic, 31 Mar. 2017, hyperallergic.com/367006/brenda-goodman-watching-and-waiting. |
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Krieger, Deborah. "‘In a New Space,’ Brenda Goodman Turns Towards the Light." Whitehot Magazine, Aug. 2017, whitehotmagazine.com/articles/brenda-goodman-turns-towards-light/3735. |
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Landi, Ann. "Vasari 21: Savvy Collectors and how NOT to Collect." Vasari21, 27 Feb. 2017. Web. |
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Micchelli, Thomas. "Brenda Goodman: In a New Space." Catalogue essay. Brooklyn, NY: DAVID&SCHWEITZER Contemporary, Sept. 2017. |
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Panero, James. “Gallery chronicle.” The New Criterion, Oct. 2017, newcriterion.com/issues/2017/10/gallery-chronicle-8981. |
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Russinof, Anne. "Brenda Goodman at David&Schweitzer Contemporary, ‘In a New Space.’” Gallery Travels, 22 Nov. 2017. Web. |
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Quinlan, Cathy Nan. "CNQ draws Brenda Goodman and Len Bellinger at David&Schweitzer." Talking Pictures, 30 Sept. 2017. Web. |
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Yau, John. "Brenda Goodman Cuts Deep." Hyperallergic, 30 Sept. 2017, hyperallergic.com/403132/brenda-goodman-in-a-new-space-david-and-schweitzer-contemporary-2017. |
2016 |
Alessi, Andrea. “2016’s Best Artist Interviews.” ArtSlant, 14 Dec. 2016, artslant.com/la/articles/show/47015-2016s-best-artist-interviews. |
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“The Critic’s Notebook.” The New Criterion, 5 Sept. 2017, newcriterion.com/blogs/dispatch/the-critics-notebook-8926. |
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Ayerle, Liz. "Two Women Bold and Bare." Proximity Arts, 16 Feb. 2016, proximityarts.org/2016/02/16/two-women-bold-and-bare. |
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Collins-Fernandez, Gaby. "Look Again: Trembling Halves: Brenda Goodman, Kate Gilmore." Catalogue essay, Feb. 2016. |
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D'Agostino, Paul. As Carriers of Flesh. Catalogue essay, David&Schweitzer Contemporary, Brooklyn, NY, Nov. 2016. Print. |
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Feast, Felicia. "Review, All Tomorrow’s Parties, Hathaway David Contemporary." Atlanta-Journal Constitution, 2016. |
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Micchelli, Thomas. "The Body Politic, in the Flesh." Hyperallergic, 26 Nov. 2016, hyperallergic.com/340747/as-carriers-of-flesh-david-and-schweitzer-contemporary-2016. |
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Rubenstein, Bradley. "Brenda Goodman Talks 50 years of Fearless Introspective Painting." ArtSlant, 15 Apr. 2016, artslant.com/ny/articles/show/45607-brenda-goodman-talks-50-years-of-fearless-introspective-painting. |
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Yau, John. "Scar Tissue." Hyperallergic, 13 Nov. 2016, hyperallergic.com/337292/brenda-goodman-jeff-bailey-gallery-2016. |
2015 |
Behnke, Paul. "Artist's Talk @ LoM: Brenda Goodman and John Yau." Structure and Imagery, 17 Apr. 2015, structureandimagery.blogspot.com/2015/04/artists-talk-lom-brenda-goodman-and.html. |
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Behnke, Paul. "Brenda Goodman @ Life on Mars." Structure and Imagery, 7 Apr. 2015, structureandimagery.blogspot.com/2015/04/brenda-goodman-life-on-mars.html. |
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Benari, Richard and Lauren Henkin. "Backstory: Brenda Goodman." Tilted Arc, 12 May 2015, tilted-arc.com/2015/05/12/backstory-brenda-goodman/. |
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Brenda Goodman: New Work. Brooklyn, NY: Life on Mars Gallery, 2015. Print. |
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Colvin, Rob. “A Charming Reverence for Color: Artists Revisit Paul Klee.” Hyperallergic, 28 Oct. 2015, hyperallergic.com/248134/a-charming-reverence-for-color-artists-revisit-paul-klee. |
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D'Agostino, Paul. “Best of Brooklyn Art 2015: The Past Conditional Edition.” Brooklyn Magazine, 21 Dec. 2015, bkmag.com/2015/12/21/best-of-brooklyn-art-2015-the-past-conditional-edition. |
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DeGalan, Clara. “Square Peg, Round Hole, Hungry Ghost: Brenda Goodman @ Center for Creative Studies Gallery.” Detroit Art Review, 21 Nov. 2015. |
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DeVito, Lee. “One of Detroit's core 'Cass Corridor' artists returns for two homecoming shows.” Detroit Metro Times, 11 Nov. 2015, metrotimes.com/detroit/one-of-detroits-core-cass-corridor-artists-returns-for-two-homecoming-shows/Content?oid=2380390. |
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Furest, Elizabeth. “Brenda Goodman: A Life in Retrospect through Two Lenses.” CultureSource, 18 Nov. 2015, culturesource.org/201511182183/stories/brenda-goodman-a-life-in-retrospect-through-two-lenses. |
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Garrett, Ashley. "A Conversation with Brenda Goodman." Figure/Ground, 13 Apr. 2015, figureground.org/a-conversation-with-brenda-goodman. |
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Goodman, Jonathan. "Brenda Goodman: New Work." The Brooklyn Rail, 13 May 2015, brooklynrail.org/2015/05/artseen/brenda-goodman-new-work. |
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Hodges, Michael H. “Brenda Goodman Stars in Shows in Detroit, Ferndale.” Detroit News, 20 Nov. 2015, detroitnews.com/story/entertainment/arts/2015/11/20/career-retrospective-cass-corridor-great-brenda-goodman/76135096. |
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Keeting, Zachary, and Chris Joy. "Brenda Goodman at Life on Mars." Gorky's Granddaughter, 17 Apr. 2015, gorkysgranddaughter.com/2015/04/brenda-goodman-at-life-on-mars-april.html. |
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Micchelli, Thomas. "The Other Side of Portraiture." Hyperallergic, 11 July 2015, hyperallergic.com/221273/the-other-side-of-portraiture. |
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Norris, Kyle. “Cass Corridor Artist Gains Recognition at Age 72 for Her Dark Paintings.” Michigan Public Radio, 19 Dec. 2015, michiganradio.org/post/cass-corridor-artist-gains-recognition-age-72-her-dark-paintings. |
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Orter, Jerry. "The More You Know the More You See." Arteidolia, May 2015, arteidolia.com/jerry-orter. |
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Rubinstein, Bradley. “This is What Tomorrow Looks Like: On Painting." Artslant, 3 Sept. 2015, artslant.com/ny/articles/show/43841-this-is-what-tomorrow-looks-like-on-painting. |
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Sharp, Sarah Rose. “In Five Decades of Self-Portraits, an Artist Refuses to Tone Down Her Feelings.” Hyperallergic, 11 Dec. 2015, hyperallergic.com/260674/in-five-decades-of-self-portraits-an-artist-refuses-to-tone-down-her-feelings. |
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Sharp, Sarah Rose. “Twin Retrospectives Mark a Triumphant Homecoming for Detroit Painter Brenda Goodman.” Knight Foundation, 10 Dec. 2015, knightfoundation.org/articles/detroit-painter-brenda-goodman-homecoming. |
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Yau, John, "Brenda Goodman's Recent Paintings." Hyperallergic, 12 Apr. 2015, hyperallergic.com/198145/brenda-goodmans-recent-paintings. |
2014 |
Baker, Brett. "Brenda Goodman: Interview." Painter's Table, 21 Jul. 2014, painters-table.com/blog/brenda-goodman-interview#.VO-U-vnF98E. |
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Behnke, Paul. "Brenda Goodman @ John Davis Galler." Structure and Imagery, 4 Aug. 2014, structureandimagery.blogspot.com/2014/08/brenda-goodman-john-davis-gallery.html. |
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Heffernan, Julie, and Virginia Wagner. “Brenda Goodman on The Guston Curse." Painters on Painting, 17 Nov. 2014, paintersonpaintings.com/brenda-goodman-on-the-guston-curse. |
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Mattera, Joanne. "Summer Solos, Part 1: Brenda Goodman." Joanne Mattera Art Blog, 20 Jul. 2014. |
2013 |
Myers, Julia R. Subverting Modernism: Cass Corridor Revisited 1966-1980. Exhibition Catalogue, Ypsilanti, MI: Eastern Michigan University Galleries, 2013. Print. /td>
|
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Seed, John. "10 Memorable Paintings from 2013." The Huffington Post, 12 Dec. 2013, huffingtonpost.com/john-seed/ten-memorable-paintings-from-2013_b_4455779.html. |
2012 |
Bulanda, George. "The Cat Approaches." Hour, Apr. 2012, p. 3. Print. |
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Frank, Peter. "Haiku Reviews, Louise Fishman and Brenda Goodman." The Huffington Post, 31 Aug. 2012. |
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Mattera, Joanne. "Color: Field and Form, Part 10, A Visit to the Hudson Valley." Joanne Mattera Art Blog, 16 Aug. 2012. |
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Seed, John. "Brenda Goodman: Paint into Emotion." The Huffington Post, 17 Jul. 2012, huffingtonpost.com/john-seed/brenda-goodman-painting_b_1676521.html. |
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Seed, John. "What Artists Have to Say About Intuition." The Huffington Post, 10 Jan. 2012, huffingtonpost.com/john-seed/artists-intuition_b_1191320.html. |
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Smart, Paul. "Goodman in Hudson." Woodstock Times, 19 Jul. 2012, p. 22. Print. |
2011 |
Seed, John. "Painterly vs. Precise, 20 Artists, 20 Studio Visits." The Huffington Post, 8 Feb. 2011. |
2010 |
Gelber, Eric. “Death, Loss, Pain and Longing: Core themes abound in the profound work of Brenda Goodman.” Artcritical, 2 Aug. 2010, artcritical.com/2010/08/02/brenda-goodman-2. |
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Mattera, Joanne. Exhibition review. Joanne Mattera Art Blog, 19 Aug 2010. |
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Smart, Paul. "Painting Past Loss." Woodstock Times, 22 Jul. 2010, p. 20. Print. |
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Smart, Paul. Exhibition review. Woodstock Times, 12 Aug. 2010, p. 26. Print. |
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Yau, John. “Brenda Goodman: Work 1990 – 2010.” The Brooklyn Rail, 3 Sept. 2010, p. 44, brooklynrail.org/2010/09/artseen/brenda-goodman-work-1990-2010. |
2008 |
Crawford, Lynn. “Brenda Goodman.” The Brooklyn Rail, 6 May 2008, p. 34, brooklynrail.org/2008/05/artseen/goodman. |
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Hill, Christina. Exhibition review. MetroTimes, 26 Mar. 2008, p. 35. Print. |
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Slowinski, Dolores S. Exhibition review. The Detroiter, 17 Mar. 2008. Web. |
2007 |
Bishcoff, Dan. Exhibition review. The Star-Ledger, 6 Jul. 2007, p. 37. Print. |
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Borsky, Judith K., and Ferris Olin. Brenda Goodman Self-Portraits 2003 – 2007. Exhibition catalogue. New Brunswick: Rutgers U, 2007. Print. |
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"Brenda Goodman." Interview by David Brody. Artcritical, 19 May 2007, artcritical.com/2007/05/19/brenda-goodman. |
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Brodsky, Judith K., and Ferris Olin. Eccentric BODIES. Exhibition catalogue. Rutgers University, 2007. Print. |
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Dube, Ilene. "Story of a Body." The Princeton Packet/Time Off, 20-29 Jul. 2007, p. 15-16. Print. |
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Genocchio, Benjamin. “Women’s Bodies as Art, Wrinkles and All.” The New York Times, 8 Jul. 2007, nytimes.com/2007/07/08/nyregion/nyregionspecial2/08artsnj.html. |
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Graschuck, Dan. "Personal Bests." Best of Detroit, Jun. 2007, p. 93-97. Print. |
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Schwartz, Helen. Exhibition review. U.S., 1 Jun. 2007, p. 27. Print. |
2004 |
Carducci, Vincent. Art in America, Feb. 2004, p. 126. Print. |
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Carducci, Vincent. Art in America, Feb. 2004, p. 126. Print. |
2003 |
Cohen, Keri Guten. Exhibition review. Detroit Free Press, 6 Apr. 2003, p. 7F. Print. |
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"Goings On About Town." The New Yorker, 22 Sept. 2003, p. 57. Print. |
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Sousanis, Nick. Exhibition review. The Detroiter, 1 Apr. 2003. Web. |
2002 |
Johnson Ken. Exhibition review. The New York Times, 15 Feb. 2002, p. E44. Print. |
2001 |
Chessler, Suzanne. "Artist's Homecoming." Jewish News, 2 Mar. 2001, p. 68-69. Print. |
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Cohen, Keri Guten. Exhibition review. Detroit Free Press, 4 Nov. 2001, p. 6G. Print. |
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DiDonna, Liz. Exhibition review. MetroTimes, 24-30 Jan. 2001, p. 21. Print. |
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"Goings On About Town." The New Yorker, 4 Jun. 2001, p. 20. Print. |
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Slaughter, Jane. "Brenda Goodman." The Centerline, College for Creative Studies, vol. 5, issue 3, Spring/Summer 2001, p. 10. Print. |
2000 |
Cohen, Keri Guten. Review. Detroit Free Press, Jun. 2000. |
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Colby, Joy. Review. The Detroit News, 21 Jun. 2000: 6E. Print. |
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Hammond, Harmony. Lesbian Art in America: A Contemporary History. Rizzoli, 2000, p. 123. Print. |
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McQuaid, Cate. Exhibition review. The Boston Globe, 9 Mar. 2000. |
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Northridge, Matthew. Review. Art New England, Jun./Jul. 2000, p. 47. Print. |
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Wei, Lilly. Go Figure: The Other Side of Modernism. Staten Island, NY: Newhouse Center for Contemporary Art, 2000. Print. |
1999 |
Carducci, Vince. Review. New Art Examiner, Nov. 1999, p. 48. Print. |
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"Goings On About Town." The New Yorker, 10 May 1999, p. 16. Print. |
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Smith, Roberta. The New York Times, 30 April 1999, p. E31, 35. Print. |
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Worth, Alexi. Review. "Up Now." ArtNews, May 1999, p. 164. Print. |
1998 |
Cohen, Keri Guten. Exhibition review. Detroit Free Press, 15 Mar. 1999, p. 3F. Print. |
|
Long, Andrew. "Openings 'Go Figure.'" Art & Antiques, Mar. 1999, p. 32. Print. |
1997 |
Cohen, Keri Guten. Exhibition review. Detroit Free Press, 5 Oct. 1997, p. 7H. Print. |
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Colby, Joy. Exhibition review. The Detroit News, 25 Sept. 1997, p. 10F. Print. |
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Johnson, Ken. Exhibition review. The New York Times, 7 Nov. 1998, p. 38E. Print. |
1996 |
Nawrocki, Dennis Alan. Exhibition review. Art in America, Jan. 1996, p. 109. Print. |
1995 |
Colby, Joy. Review. The Detroit News, 5 Oct. 1995, p. 8F. Print. |
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Hagen, Charles. “ART REVIEW; In Connecticut, a Collector’s Eclecticism.” The New York Times, 14 Jul. 1995, p. C00016. Print. |
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Mannisto, Glen. Review. MetroTimes, 20-26 Sept. 1995, p. 26. Print. |
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Maxwell, Douglas F. and Marc J. Straus. Inside Out: Psychological Self-Portraiture. Exhibition catalogue. Ridgefield, CT: Aldrich Museum of Contemporary Art, 1995. Print. |
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Merkling, Frank. Review. News-Times, 6 Jul. 1995, p. C1. Print. |
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Provenzano, Frank. "A Song for Mother." The Detroit Jewish News, 25 Aug. 1995, p. 74. Print. |
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Provenzano, Frank. "A Song for Mother." The Detroit Jewish News, 25 Aug. 1995, p. 74. Print. |
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Raynor, Vivian. “ART; Revelations: 32 Painters and Sculptors Picture Themselves.” The New York Times, 11 Jun. 1995, p. CN13. Print. |
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Walls, Michael. A Song for My Mother. Ferndale: Revolution, 1995. Print. |
1994 |
Bergmann, Meredith. Review. The New York Review of Art, vol. 1 no. 5, Dec. 1994, p. 18. Print. |
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Cameron, Dan. "Critical Edge." Art & Auction, Dec. 1994, p. 66-69. Print. |
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Colby, Joy. Review. The Detroit News, 11 Feb. 1994. Print. |
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Echlin, Hobey. Review. MetroTimes, 23 Feb. 1994, p. 40. Print. |
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Miro, Marsha. Review. Detroit Free Press, 13 Feb. 1994, p. 5G. Print. |
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Rubinstein, Raphael. "Containers of Contradiction." Exhibition Brochure for Brenda Goodman: Self-Portraits. New York: Cavin-Morris Gallery, 1994. Print. |
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Rubinstein, Raphael. "Redefining the 'R' Word." Exhibition Catalogue for Isn’t It Romantic? New York: On Crosby Street, 1994. Print. |
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Zimmer, William. “ART; Abstract Expressionism is Alive and Well.” The New York Times, 27 Nov. 1994, p. 13WC18. Print. |
1993 |
Sparage, Dale. "The Vision of Brenda Goodman." Detroit Focus Quarterly, vol. 10, no. 4, Summer 1993, p. 6. Print. |
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Ten Years, 29 Artists. Exhibition catalogue. Knoxville: The Ewing Gallery of Art and Architecture, University of Tennessee, 1993. Print. |
1992 |
Miro, Marsha. Review. Detroit Free Press, 4 Nov. 1992, p. 12B. Print. |
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Miro, Marsha. Review. Detroit Free Press, 9 Sept. 1992, p. 18. Print. |
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Rubinstein, Raphael. Beneath the Surface. Exhibition catalogue. New York: Tribeca 148 Gallery, 1992. Print. |
1991 |
Abett, Corinne. Observer & Eccentric, 8 Aug. 1991. |
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Abshear, Jeff. Review. The Independent, 24 Jan. 1991, p. 21, illus. 21. Print. |
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Fox, Marilyn J. Review. Reading Eagle, 3 Feb. 1991, p. D1-2. Print. |
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Huntington, Richard. Review. The Buffalo News, 20 Jan. 1991, p. 1, 4G. Print. |
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Leviner, Beverly. Review. The Keystone Paper, 19 Feb. 1991, p. 8. Print. |
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Miro, Marsha. Review. Detroit Free Press, 11 Aug. 1991, p. 5G. Print. |
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Moorman, Margaret. Review. ArtNews, Nov. 1991, p. 147, illus 147. Print. |
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Volk, Carol. Art & Auction, Summer 1991, p. 23-24, illus., 24. Print. |
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Woodard, Josef. "The Shape of Spirit." Artweek, vol. 22, no. 3, 24 Jan. 1991, p. 15-16. Print. |
1990 |
Crowder, Joan. Review. Santa Barbara News Press, 28 Dec. 1990, p. l9, illus., 19. Print. |
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Doll, Nancy. Inner Natures: Four Contemporary Painters. Exhibition catalogue. Santa Barbara, CA: Santa Barbara Museum of Art, 1990. Print. |
1989 |
Crohn, Jennifer. Review. The Philadelphia Inquirer, 23 Nov. 1989, p. 7D. Print. |
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Miro, Marsha. Review. Detroit Free Press, 30 Oct. 1989, p. 6G. Print. |
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Temin, Christine. Review. The Boston Globe, 2 Mar. 1989. Print. |
1988 |
Meilgaard, Manon. Review. The Eccentric Newspapers, 27 Oct. 1988, p. 4, 6 Illus. Print. |
1987 |
Colby, Joy Hakanson. Review. The Detroit News, 8 Nov. 1987, p. 4K. Print. |
|
Miro, Marsha. Review. Detroit Free Press, 15 Nov. 1987, p. 4C. Print. |
1986 |
Farbman, Suzy. "Interview: Brenda Goodman." Detroit Focus Quarterly vol 5, no. 2, Jun. 1986, p. 1-3. Print. |
1985 |
La Palma, Mariana. Review. Artweek, vol. 16, no. 8, 23 Feb. 1985. |
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Muchnic, Suzanne. Review. Los Angeles Times, 21 Feb. 1985. |
1984 |
Rutgers National 83/84 Works on Paper. Exhibition catalogue, Camden, NJ: Stedman Gallery, Rutgers University, 1984. Print. |
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Self-Portraits by Women Artists. Exhibition catalogue. Los Angeles: Security Pacific National Bank, 1984. Print. |
1983 |
Currents: A New Mannerism. Catalogue. Jacksonville, FL: Jacksonville Art Museum, 1983. Print. |
|
New Epiphanies: Religious Contemporary Art. Exhibition catalogue. Gallery of Contemporary Art, University of Colorado Springs and the Ohio Foundation of the Arts, 1983. Print. |
|
Plett, Nicole. Review. Santa Fe Reporter, Jul. 1983, p. 21-2, illus. 21. Print. |
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Wilson, Malin. Review. Artlines, Jul. 1983. |
1982 |
Armstrong, Richard. "Report from Detroit: Was Cass Corridor a Style?" Art in America, Feb. 1982, p. 34-39, illus. 37, 39. Print. |
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Colby, Joy Hakanson. Review. The Detroit News, 14 Feb. 1982, p. 6H. Print. |
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Henshaw, Julia. Review. New Art Examiner, May 1982, p. 18, 22, illus. 22. Print. |
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Miro, Marsha. Review. Detroit Free Press, 28 Feb. 1982, p. illus. 8B. Print. |
|
Roth, Karen. "Interview: Brenda Goodman's Metaphorical Journey." Detroit Focus Quarterly, vol. 1, no. 2, Apr. 1982, p. 4-5. Print. |
|
Witz, Robert. Appearances, vol. 8, Fall 1982, p. illus. 94. Print. |
1981 |
Artner, Alan G. Review. Chicago Tribune, 28 Aug. 1981, p. Section 3, 12. Print. |
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Elliot, David. Review. Chicago Sun-Times, 5 Jul. 1981, p. 14. Print. |
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Harrison, Helena. Review. The New York Times, 18 Jan. 1981, p. 16. Print. |
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Hayden, Harold. Review. Chicago Sun-Times, 21 Aug. 1981. |
|
Warren, Lynn and Jeffrey Edelstein. Images and Issues, Winter 1981, p. 44-47, illus. 45. Print. |
1980 |
Colby, Joy Hakanson. Review. The Detroit News, 24 Feb. 1980, p. 6C. Print. |
|
Henshaw, Julia. Review. New Art Examiner, Oct. 1980. Print. |
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Colby, Joy Hakanson. Review. The Detroit News, 24 Feb. 1980, p. 6C. Print. |
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Henshaw, Julia. Review. New Art Examiner, Apr. 1980, p. Section 2, illus. Print. |
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Kick Out the Jams: Detroit's Cass Corridor 1963-1977. Exhibition catalogue. Detroit, MI: Detroit Institute of Arts, 1980. Print. |
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Margolin, Michael H. Review. Monthly Detroit, Jul. 1980, p. 34-6, Illus. 35. Print. |
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Miro, Marsha. Review. Detroit Free Press, 2 Mar. 1980. Print. |
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Zimmer, William. Review. The Soho Weekly, 26 Jun. 1980. Print. |
1979 |
1979 Biennial Exhibition. Exhibition Catalogue. New York: Whitney Museum of American Art, 1979, p. illus. 36. Print. |
|
Glueck, Grace. Review. The New York Times, 26 Oct. 1979. Print. |
|
Selected Works from the Detroit Institute of Arts. Detroit, MI: Detroit Institute of Arts, Detroit, 1979, p. Illus. 239. Print. |
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Robins, Corinne. "Whitney Biennial." Arts Magazine, Jun. 1979, p. 16. Print. |
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Vaughan, Mary. "Brenda Goodman." Arts Magazine, Oct. 1979, p. Illus. 16. Print. |
1978 |
Annual Report, Bulletin of the Detroit Institute of Arts, vol. 56, no. 5, 1978, p. illus. 287. Print. |
|
Colby, Joy Hakanson. Review. The Detroit News, 26 Feb. 1978. Print. |
1977 |
Tucker, Marcia. Memory. Exhibition catalogue. New York: The New Museum, 1977. Print. |
1976 |
Hansell, Betsey. Review. Detroit Artists Monthly, vol. 1, no. 2, 1976, p. 1, 3. Print. |
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Kaminski, Margaret. Moving to Antarctica: A Women’s Anthology. Dustbooks, 1976, p. 146-57, illus. 146, 148, 150, 152. Print. |
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Wilkenson, Sylvia. Interview. Michigan Artists Journal, vol. 1, no. 1, 1976, p. 16-17, Illus. 16. Print. |
1975 |
Annual Report, Bulletin of the Detroit Institute of Arts, vol. 54, no. 2, 1975, p. Illus. 11. Print. |
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Askins, John. "Artist Brenda Goodman: One Woman's Struggle to Find Herself." Detroit Free Press, 27 Apr. 1975, p. 10D, illus. 1. Print. |
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Durkee, Dee. "Interview: B. Goodman." Moving Out, 1975, p. 20-25, Illus. 22-25. Print. |